About the perfume: “A delicate and costly creation that blends the taste and the smell of a single malt whiskey, lucid dreaming and reality, burning Russian Red, personal actions and reactions. It is a sensory hurricane that surrounds one with a mixture of hot and aromatic notes and the scent of old barrels, leaving with …
A fragrance which expertly balances the balsamic sweetness of Benzoin and Vanilla with the dry masculinity of Tobacco and Cognac, Enigma is an enticing experience which transforms any who wear it into a man of mystery and intrigue. An unusual effect occurs where the slightly powdery and Cherry-like tones of Heliotrope mingle with the mouth-watering …
A masterful combination of osmanthus and real violet leaves, “1000” by Jean Patou is a landmark dry aldehydic chypre which is presented here in both an extrait (38% concentration) and eau de parfum (20%) form. In no other fragrance will you find such a mega-dose of pure violet leaf absolute and a striking accord of three of the most luxurious rose materials.
The first fragrance of the house of Dana was Tabu, created by Jean Carles in 1932. Jean Carles was well known for his wonderful creations made of unusual materials. Before creating Tabu, he was instructed to make a fragrance for a whore (‘un parfum de puta’). Thus, Tabu was created, sensual and shocking.
I recently had a fleeting affair with a dangerously sociopathic young man. It left me rather unsettled but as with many trying events in life, it led to a bit of a creative burst. From that burst has come this fragrance which I am calling Bedlam after the famed mental asylum (and now a generic term for an insane asylum or a state of confusion, which sociopaths leave us in).
Bertrand Duchafour is my favourite living perfumer and in particular I love his Or Du Serail for Naomi Goodsir. One weekend I was bored and decided to play around with a bunch of formulas and see if I could make something as sweet and beautiful as the opening of this brilliant scent. I was somewhat successful and while I have not spent any time editing this formula, I thought it might be fun to publish something that is a work-in-progress.
This is the first fragrance I ever created! Well, it’s the nth iteration of said fragrance. The very first instance was just three ingredients: patchouli acetate, Dorinia SAE, and hydroxycitronellal in the form of Firmenich’s Cyclosia base. I had mixed the three together in the proportions found in this fragrance and dipped a smelling stick into it. Hours later I walked into the room I had left it in and was met with the most magical and profoundly beautiful scent.
Chypre by Coty is one of the most important works of fragrance art in history. It inspired thousands of new fragrances and continues to do so today, and it was a nod, in its own time, to the long-lost scent of powdered wigs and the drawing rooms of the European Gentry of the 17th and 18th centuries.
I happen to be a huge fan of Ylang Ylang and had a great love for the fragrance Sublime by Jean Patou which is built around an Ylang Ylang and Mandarin accord. Rather than analyzing and making a clone, I wanted to come up with my own version so I could be more playful. And so while this formula is called Sublime Ylang and follows the notes and much of the style of the Patou fragrance, this is created without any GCMS analysis of the original.